Christopher Berard recently reviewed Michael N. Salda's Arthurian Animation: A Study of Cartoon Camelots on Film and Television (Jefferson, N.C. and London: McFarland & Company, 2013) for Medievally Speaking. Berard writes:
Arthurian animation (“Arthurianimation”), as defined by Michael N. Salda, is not limited to animated productions that feature King Arthur and his Knights of the Round Table, but includes productions with Arthurian themes and motifs as well. According to this expansive definition, the earliest known example of Arthurianimation is Warner Brothers’ 1933 cartoon short Bosko’s Knight-Mare, but here King Arthur is, as it were, ‘Sir Not-appearing-in-this-film’. In fact, Arthur does not seem to have made his animated film debut until Knighty Knight Bugs, another Warner Bros. film, which premiered on 23 August 1958 and garnered that year’s Oscar for Best Animated Short. Salda’s Arthurian Animation: A Study of Cartoon Camelots on Film and Television, which takes Bosko’s Knight-Mare as a starting point, is thus far-reaching in scope. It spans seventy-five years of film history, and it contextualizes and describes more than one hundred seventy separate works. The monograph is largely diachronic in structure and can best be described as a comprehensive compendium of Arthurianimation. Each of the book’s ten chapters begins with an overview of the cultural and commercial climate behind the film(s) under consideration.
In the introduction, Salda makes three cogent statements… READ THE FULL REVIEW HERE